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press
reviews:

This
debut album by “a decidedly self-assured songwriter” …
“is subtly played and delicately stated.”
On Almanac, Bustin is joined by his former partners Malcolm Dalglish,
Grey Larsen, and Pete Sutherland. Anyone who has seen these four perform
will be pleased to find the witty “More Wood” included, as
well as some tasty Sutherland fiddle licks. Bustin is at his best on the
bluesy “Shantyboatin’” where his vocals lazily mesh
with the fiddle and Bob Lucas’ guitar, while a thoughtful dose of
his own banjo rings in the background. The arrangements, which include
the unlikely addition of Saaku Saar’s conga playing on “Moonshine
in the White Pines” and Bill Schwarz’s piano [on “Awaken
to Dreams”] are splendidly understated.
More than anything, Bustin’s album captures a yearning celebration
of rural life. Almanac is a cohesive whole—a rare accomplishment
for any songwriter.
– J.M.
in Sing Out! The Folk Song Magazine 30:3
(Summer, 1984)
A
“perfectly wonderful” effort … “a triumph.”
Bustin’s [Almanac] draws on the seasons and their relationship
to the land to paint us a portrait of his places. “Moonshine in
the White Pines” gives us an unpretentious portrait of a country
home, while other songs tell us what goes on there: “Around My Barn,”
“Gardening,” and “More Wood,” which is both true
and wryly funny. “This Time of Year” is an effective tale
of autumn. “La Belle Riviere” celebrates the Ohio River while
fearing for her future. Perhaps the most moving song on the album, “Mae
Smith,” tells us of an old source singer Dillon came to collect
from, who taught him about a lot more than music.
Produced by Bob Lucas, the album has a string-band feel to it, but is
laced through with a fluid lyricism that comes from a more universal source.
Lucas says he is prouder of this than any other recording he has worked
on. I would be, too.
—E.F. in Come for to Sing 10 (Autumn, 1984)
radio
program notes:

It’s been a long time coming. Dillon Bustin’s Almanac
is one of the most beautiful albums I have heard in years.
—M.S.,
WLRN-FM, Miami, Florida.

Dillon Bustin’s Almanac has absolutely floored me, and
everyone I’ve played it for. I LOVE this record. I’m really
excited about its potential, and very keen on helping it reach the audience
it deserves.
—E.W.,
WTJU-FM, Charlottesville, Virginia

Wonderful songs! I especially enjoy looking at Mary Azarian’s cover
while playing the album.
—S.M.,
KBCS-FM, Bellevue, Washington
This record is simply one of the best country-folk records you folks have
ever released! Keep up the good work and thanks!
—T.T.H.,
KTOO-FM, Juneau, Alaska
excerpts of listener letters:

I ordered your album Almanac after hearing “Gardening”
and “Mae Smith” one evening last fall on WETA-FM. Your music
brings back memories of ten years that I spent out in the boonies, living
by the seasons, eating fiddleheads and groundhogs, spending evenings playing
guitar by the fire with friends passing through on their way to stability.
Just wanted to let you know your songs are being enjoyed. My five year
old daughter sings “Mae Smith” in the bathtub and tells me
that if she ever gets a daddy she sure hopes he won’t be like Charlie
Smith.
—K.H.,
Washington, DC

I write from the “You don’t know me but…” department.
What prompted this letter was hearing Malcolm, Grey, and Pete last February
when they came—I was totally enchanted, and not the least by such
tunes as “Gardening” and “More Wood.” Eventually
I got around to ordering your Almanac and liked it right off
and enjoy it more each time I play it. I almost killed myself learning
“Gardening” off the inner sleeve while driving between Stillwater
and Minneapolis. I especially like “Around My Barn” and “This
Time of Year,” too. So after all this time, I thought I’d
write just to tell you how much I like your songs and the way you sing
them. They’re honest and…well, gentle, or something like that.
—L.B.,
Minneapolis, MN

I love your song “Shantyboatin.” It’s easy, lazy and
feeling good! I heard it on KMUN-FM here in Astoria. I hope you won’t
think me presumptuous but I really want to figure out how to play it and
maybe sing in a restaurant here. I could never get the sound you do as
I play alone (so far) but it’s a fun song. I won’t record
without permission. I just want to be able to do it. What say?
—S.S.,
Astoria, OR

I recently bought your album Dillon Bustin’s Almanac and
have fallen in love with the song “This Time of Year.” I just
unearthed my old guitar from my parents’ house and would love to
be able to play “This Time of Year “ on it. (To celebrate
the coming of Fall!) Could you send me chords/music for this song? I’d
greatly appreciate it. Again, I love your album and hope to see another
in the June Appal catalog soon. Do you ever perform in NYC?
—N.B.,
New York, NY

I want to let you know how much I enjoy your record—I play it a
lot. Some of the songs jumped out at me right away and the others just
crept in, but they’re all great. I enjoy the music and the poetry
and the ideas put out. The accompaniment is just right and the Mary Azarian
woodcuts make the album a pleasure for the eyes as well as the ears. What
else can I say? I love it. Thanks again.
—J.S.,
Carlisle, MA

I really felt compelled to write you this letter to let you know my feelings
about Almanac. At a Dalglish/Larsen/Sutherland concert in Baltimore
last April, I admired a number of your songs which they sang, so purchased
your record. I must admit, it didn’t bowl me over at first. But
then, wanting to hear it some more, I taped it and took it in the car
when my friend and I went to Nova Scotia this summer. The farther we went,
the more we played Almanac, and we finally began to hear all
the words.
Since then, I cannot listen to “Mae Smith” without a shiver
or a tear. Somehow that one really hits home with us. I don’t think
anyone ever considered the person’s feelings who was giving up their
songs to a collector. “Gardening” and “More Wood”
hit home with a bang, since my friend lives in a farmhouse and we run
into all the problems you sing about. The other songs, while more subtle,
grew on us as well. By the time we returned home, your words were intimate
friends, and we were amazed at how much we had in common with the writer
of the words.
I am definitely not a writer of fan mail, and my words fall sadly short
of what I want to convey to you, but I wanted you to know that you have
touched and enriched our lives with your thoughts and music. And we thank
you.
—B.S.,
Baltimore, MD

I can’t begin to tell you how much I’ve enjoyed Almanac.
It’s been wonderful company while crisscrossing Massachusetts and
New York. The miracle of auto-rewind gives me endless loops of your songs—and
they’re such good songs. Lots of good rhythms, varied instrumentals,
and such sweet, rooted, caring lyrics. They energize and fill me with
longing for the connection and belonging you sing of. Anyway, thanks so
much for the songs—they’ve eased partings with friends, kept
me company on long drives into the night, made me feel good, warm, and
sad at the same time. Take care. Would like to hear/see more of your creativity.
I’ll keep my ears and eyes open.
—D.S.,
Brooklyn, NY

I want to tell you how much I enjoy your record, Dillon Bustin’s
Almanac. I’ve been a fan of Malcolm Dalglish, Grey Larsen,
and Pete Sutherland for a couple of years now. I heard them perform several
of your songs in concert and really enjoyed them. So…when I read
they had helped produce an album of your songs, I knew I had to have it.
Somehow I expected all your pieces to be in the “Gardening”/”More
Wood” vein. (I really like those songs, by the way.) I was unprepared
for the melodious beauty of some of your other songs. The unexpected sweetness
of “Moonshine in the White Pines” and “Show Me a Sign,”
for example, is a real delight. “Mae Smith” touches me each
time I hear it. I like the rhythm and humor in “Shantyboatin,”
and love to whistle along with it. My favorite on this album, I think,
is “La Belle Riviere;” the chorus is lovely. (I’ve never
seen the Ohio; is it still a beautiful river?)
Actually, I just wanted to tell you that I do like your songs. Am glad
you got your friends to record them with you. It’s a fun, funny,
touching album—keep up the good work!
—J.H.,
Boise, ID
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